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Making The Cut: Career Advice From…‘Game of Thrones’ Sound Recordist Ronan Hill |
| 07 Nov 2012 | Emmy Award winner and two-time IFTA winner, Ronan Hill is one of the most in-demand production sound mixers and sound recordists working in Ireland. |
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INTERVIEW: Business Is Reelgood At Irish Production Hub |
| 30 Aug 2012 | Aidan Sheeran doesn’t sound like a managing director operating within the middle of the recession. “I suppose in a funny way we’ve been bucking the trend,” he says almost apologetically. “We’ve been terribly busy over the last while and there’s been a huge volume of work across the various areas we work in.” |
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Excitement Builds At Egg As ‘Sinbad’ Sets Sail |
| 14 Jul 2012 | As Sky One gets set to broadcast the first episode of their much-anticipated €22m drama series ‘Sinbad’ this Sunday (July 8), IFTN visits Egg post-production house who played a key role in the 12-part series, including the spectacular visual effects. |
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Masters Series: Clint Eastwood’s Oscar-winning Editor Joel Cox |
| 07 Jul 2012 | Some of the most lasting and productive partnerships in filmmaking are between an editor and a director. Trusted collaborators, together a film’s editor and director shape and refine the film in post-production. Such long-standing partnerships include those of Martin Scorsese and Thelma Schoonmaker, and Quentin Tarantino and Sally Menke. |
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Five Minutes with... BAFTA winning Irish Colourist Aidan Farrell |
10 May 2012 | Highly regarded worldwide, Irish colourist Aidan Farrell will this Sunday be honored for his craft with a BAFTA special award for his “outstanding creative contribution to the industry and his extensive work and accomplishments in this field.”
Ahead of the event in London, the Dubliner – who has worked as a colourist on acclaimed television shows such as ‘Downton Abbey’ - spends five minutes with IFTN to talk about how he went from working on animation with Don Bluth in Dublin to working on acclaimed music videos during the Britpop-era in London and on into TV drama. |
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‘Albert Nobbs’ & Re-Creating the Sound of 19th Century Dublin |
| 03 May 2012 | Having won an IFTA for their work on ‘Albert Nobbs’, Ardmore Sound and Screen Scene’s Niall Brady and Steve Fanagan discuss the challenges they faced on helping bring the sound of 19th Century Dublin to Glenn Close’s latest movie. |
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Interview: Irish Director Stephen St. Leger on His Feature Film Debut ‘Lockout’ |
| 19 Apr 2012 | Stephen St. Leger seems oddly relaxed. Two days before the European release of his Luc Besson-produced debut feature film ‘Lockout’ – co-directed and co-written with his long-time collaborator and fellow Irishman James Mather - and the Dubliner displays none of the apprehension an outsider might expect at letting their ‘baby’ out into the world. |
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Five Minutes With... ‘The Dark Knight’ VFX Artist Ciaran Crowley |
19 Apr 2012 | Few Irish visual effects artists boast a CV as impressive as that of Dublin-native Ciaran Crowley. Over the past decade, his list of film and TV credits reads like a roll-call of some of the most visually impressive movies of the last 10 years.
From ‘Inception’ to ‘Iron Man 2’, through to ‘2012’, ‘Batman Begins’, ‘The Dark Knight’ and ‘Scott Pilgrim vs. the World’, Crowley has had a hand in ensuring that some of the biggest blockbusters of recent memory have arrived on cinema screens with visual effects that can pack a punch as equally as they seamlessly integrate into the background of a director’s overall vision.
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