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Windmill Lane’s Jason Gaffney talks colour grading animated series Kizazi Moto with Matt Branton |
| 04 Jul 2023 | Jason Gaffney sat down with Windmill Lane’s senior colourist Matt Branton to discuss his work on Disney+ animated series Kizazi Moto. |
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“We all felt a lot of responsibility with Elvis’ legacy”, editor Jonathan Redmond discusses Elvis |
| 03 May 2023 | To mark the 20th anniversary of the IFTA awards, we are showcasing Irish talent who are blazing a trail across our industry, working in front of and behind the camera. |
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IFTA Q&A Series: Chris Burdon on Sound Mixing |
| 02 May 2023 | To mark the 20th anniversary of the IFTA awards, we are showcasing Irish talent who are blazing a trail across our industry, working in front of and behind the camera. |
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IFTA Q&A Series: Aza Hand on Sound Design |
| 28 Apr 2023 | To mark the 20th anniversary of the IFTA awards, we are showcasing Irish talent who are blazing a trail across our industry, working in front of and behind the camera. |
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Windmill Lane make key appointments as company nears 45th year in business |
| 13 May 2022 | Having experienced a buoyant start to 2022, Windmill Lane recently announced several new senior appointments including VFX Producer Louise Ní Chonchúir, Ed Smith as Head of Operations, and Jason Gaffney taking on the role of Marketing Manager. |
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Animators Josh O'Caoimh and Mikai Geronimo discuss their Venice Film Festival-selected Fall of the Ibis King |
| 29 Sep 2021 | We caught up with animators/directors Josh O’Caoimh and Mikai Geronimo following the world premiere of their short film, Fall of the Ibis King, which featured in the Orizzonti short film competition at the 78th Venice Film Festival. |
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“For me, it was about taking away, stripping back, and allowing the performances to shine through;” Editor John O’Connor discusses Smother |
| 01 Apr 2021 | We caught up with John O’Connor, one of the editors on Treasure Entertainment’s drama Smother, to find out more about the impact of Covid on the editing process, collaborating with director Dathaí Keane, and delivering the series via remote working. |
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“Our job is to make the show sound like you’re there, but you shouldn’t see our hand in the process;” Fionán Higgins and Mark Henry on the sounds of Smother |
| 31 Mar 2021 | We caught up with Sound Supervisor, Fionán Higgins and Re-Recording Mixer, Mark Henry to find out more about their work on Irish drama series Smother, their close collaboration with director Dathaí Keane, and the challenges of adapting and delivering a series while working remotely during Covid. |
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