2 July 2022 The Irish Film & Television Network

Irish Film and Television Network


Post Production

 » Post Interviews

In this series of IFTN Q&As and feature interviews, leading film and television industry experts in post production offer advice and answer a series of questions about their career background, their current work and thier their views on the industry today.
“For me, it was about taking away, stripping back, and allowing the performances to shine through;” Editor John O’Connor discusses Smother 
We caught up with John O’Connor, one of the editors on Treasure Entertainment’s drama Smother, to find out more about the impact of Covid on the editing process, collaborating with director Dathaí Keane, and delivering the series via remote working. 

More Post-Production Feature Interviews
Making The Cut: Career Advice From Director Of Photography Suzie Lavelle
07 Dec 2012 | In what is generally regarded to be an industry profession dominated by men, Suzie Lavelle has fought her way to become one of Ireland’s most promising directors of photography. In 2010, she became the first female winner of the Director of Photography IFTA for her work on Conor Horgan’s ‘One Hundred Mornings’ and has since been nominated a second time for Rebecca Daly’s ‘The Other Side of Sleep’. 
Making The Cut: Career Advice from ‘What Richard Did’ Editor Nathan Nugent
15 Nov 2012 | IFTA-nominated editor Nathan Nugent has worked across a plethora of film and TV projects, including the IFTA Award-winning feature ‘As If I Am Not There’ and Lenny Abrahamson’s internationally acclaimed feature film ‘What Richard Did’. 
Making The Cut: Career Advice From…‘Game of Thrones’ Sound Recordist Ronan Hill
07 Nov 2012 | Emmy Award winner and two-time IFTA winner, Ronan Hill is one of the most in-demand production sound mixers and sound recordists working in Ireland. 
INTERVIEW: Business Is Reelgood At Irish Production Hub
30 Aug 2012 | Aidan Sheeran doesn’t sound like a managing director operating within the middle of the recession. “I suppose in a funny way we’ve been bucking the trend,” he says almost apologetically. “We’ve been terribly busy over the last while and there’s been a huge volume of work across the various areas we work in.” 
Excitement Builds At Egg As ‘Sinbad’ Sets Sail
14 Jul 2012 | As Sky One gets set to broadcast the first episode of their much-anticipated €22m drama series ‘Sinbad’ this Sunday (July 8), IFTN visits Egg post-production house who played a key role in the 12-part series, including the spectacular visual effects. 
Masters Series: Clint Eastwood’s Oscar-winning Editor Joel Cox
07 Jul 2012 | Some of the most lasting and productive partnerships in filmmaking are between an editor and a director. Trusted collaborators, together a film’s editor and director shape and refine the film in post-production. Such long-standing partnerships include those of Martin Scorsese and Thelma Schoonmaker, and Quentin Tarantino and Sally Menke. 
Five Minutes with... BAFTA winning Irish Colourist Aidan Farrell
10 May 2012 | Highly regarded worldwide, Irish colourist Aidan Farrell will this Sunday be honored for his craft with a BAFTA special award for his “outstanding creative contribution to the industry and his extensive work and accomplishments in this field.”

Ahead of the event in London, the Dubliner – who has worked as a colourist on acclaimed television shows such as ‘Downton Abbey’ - spends five minutes with IFTN to talk about how he went from working on animation with Don Bluth in Dublin to working on acclaimed music videos during the Britpop-era in London and on into TV drama. 

‘Albert Nobbs’ & Re-Creating the Sound of 19th Century Dublin
03 May 2012 | Having won an IFTA for their work on ‘Albert Nobbs’, Ardmore Sound and Screen Scene’s Niall Brady and Steve Fanagan discuss the challenges they faced on helping bring the sound of 19th Century Dublin to Glenn Close’s latest movie. 
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