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Lorcan Finnegan and Imogen Poots discuss Vivarium with IFTN |
26 Mar 2020 | We caught up with Irish director Lorcan Finnegan and lead actor Imogen Poots of the new Sci-Fi thriller Vivarium to find out more about being selected for Critics’ Week at Cannes, taking on challenging characters, and working with Jesse Eisenberg and Jonathan Aris. |
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Daniel O'Hara, director of Netflix's The Stranger, speaks with IFTN |
07 Feb 2020 | We caught up with Irish director Daniel O’Hara, co-director of Netflix’s adaptation of Harlan Coben’s The Stranger, to find out more about the making of the show, working with Irish talent and the differences between traditional and non-linear productions. |
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Oscar Shortlist: SSVFX team involved in two Visual Effects projects |
19 Dec 2019 | Sci-fi, adventure film Captain Marvel and Martin Scorsese’s gangster-drama The Irishman have been shortlisted in the Visual Effects category for the Academy Awards; both contenders include work from Irish company SSVFX helmed by Visual Effects Supervisor Ed Bruce. |
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The Blizzards - Behind The Music acquired by RTE Player |
15 Nov 2019 | The tell-all mockumentary-style short film documents the band’s exploits over the past year and has previously premiered in Dublin’s at the Irish Film Institute (IFI) Documentary Film Festival and screened at the Galway Film Fleadh in July. |
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Virgin Media's Multi-Million Euro Investment in TV3's Ballymount Studios |
07 Sep 2016 | CEO of Virgin Media in Ireland Tony Hanway spoke at an IFTA Industry Breakfast yesterday morning at the National Concert Hall about the evolving industry in Ireland. |
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Virgin Media CEO encourages future proofed communications strategy for Ireland |
22 Jul 2016 | “A future proofed communications strategy is needed if Ireland is to remain a global hub for digital innovation” says Virgin Media CEO, Tony Hanway |
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Alan Moloney on 'Jadotville' and Netflix |
01 Jul 2016 | Producer 'proud and excited' to be part of Netflix' story and innovation. |
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'The Art of Media Monitoring' |
05 Mar 2013 | Media buzz - whether in print, broadcast or online - can make or break a TV show or organisation, a reality that is well understood by Kantar Media, experts in media intelligence monitoring. Dan Halliwell explains how the company has evolved since its inception in 2002, from the early days of electronically scanning press clippings to the current age of social media in which all content must now be analysed to gauge public reaction. |
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